I have always a subjacent, undergroundish idea about how things will take form when I work. I know I am working on transformation of a kind. It is a slow motion version of ideas. I am interested in traces. Sometimes I am starting a work as Alexander Cozens (1717-1785) did, sometimes I am following traces in my mind.Traces and prints because of the story or the history, dots and spots because of the hazard. To draw is to clarify an idea, at least one. Dreaming, drawing, walking are compatible activities that are important to me. I like the possibility of working wherever I am. I work the «positive/negative», black on white and vice versa, or monochromic, a process of duality. I am interested in spaces, opened landscapes, citymaps, oceanmaps, brains, magical processes, places where people live, walk, pass by or where no one passes or ever go. It is a work about wandering and contemplation. I  work from collected stones, shells, fossils, leaves... in the nature as well as natural elements that I qualify as formless as the sky, the air, days and nights... I also work from fragments of texts or sounds. From those mineral, aquatic and temporal combinations I develop connexions to construct personal intuitions and I try to use the medium that is most linked to the ideas .